“The Good Sound:” Complete Performance Recordings

Last week I performed a recital of music for euphonium with piano or electronic accompaniment as part of the University of Mississippi’s Faculty Recital Series. The program’s title, “The Good Sound,” is a tongue-in-cheek play on the meaning of the word “euphonium.” Although I perform euphonium solo and chamber works fairly regularly, this was my first full-length solo euphonium program in ten years. The program went relatively well and was well-received, and I’m happy to share the live performance recordings, “warts and all,” with readers of The Reforming Trombonist.

Julius Klengel (1859-1933), arr. Micah Everett: Concertino No. 1, op. 7

Ennio Morricone (b. 1928), arr. Adam Frey and Kevin Kaska: Gabriel’s Oboe (from “The Mission”)

Herbert L. Clarke (1867-1945): From the Shores of the Mighty Pacific

Benjamin McMillan (b. 1984): Mandelbrot’s Dream

Franz Liszt (1811-1886), arr. Patrick Hoffman: Hungarian Rhapsody No. 2

Peter Graham (b. 1958): The Holy Well (from “On Alderley Edge”)


About Micah Everett

Micah Everett is Associate Professor of Music (Trombone/Low Brass) at the University of Mississippi, Principal Trombonist of the North Mississippi Symphony Orchestra, Interim Music Director at College Hill Presbyterian Church, Assistant Editor (Audio/Video Reviews) for the International Trombone Association Journal, and an S.E. Shires trombone artist. He is the author of THE LOW BRASS PLAYER'S GUIDE TO DOUBLING, published by Mountain Peak Music, and released two solo recordings, STEPPING STONES FOR BASS TROMBONE, VOLS. 1 and 2, on the Potenza Music label in 2015 and 2022, respectively. In addition to his professional work, he maintains an avid interest in the study of the Bible and of Reformed theology. He holds doctoral and master's degrees in music from the University of North Carolina at Greensboro, a bachelor's degree in music education from Delta State University, and a certificate in systematic theology from Puritan Reformed Theological Seminary.
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