Category Archives: Baritone Horn

Success Flows from Rightly Ordered Thinking…In Music and In Life

Instead of taking my usual summer break from blogging, over the past few weeks I have written a little series I have called “Essential Concepts in Brass Playing.” A recurring theme in each of those posts is the importance of … Continue reading

Posted in Alto Trombone, Apologetics, Baritone Horn, Bass Trombone, Bible, Books, C.S. Lewis, Christ's Person and Work, Christian Worldview, David Hanscom, Essential Concepts in Brass Playing, Euphonium, Francis Schaeffer, Howard Schubiner, John Sarno, Music, Pain, Pedagogy, Performing, Physical Fitness, Playing Fundamentals, Political Systems, Practical Christianity, Practicing, Repentance, Society, Steve Ozanich, Teaching Low Brass, Tenor Trombone, Theology, Trombone, Truth, Tuba

Essential Concepts in Brass Playing 6: Technique Flows from Music

At any given time I will have at least one student—often more—who tends to think of music making like a chef following a recipe. I mentioned this in the first article in this series several weeks ago. These students approach … Continue reading

Posted in Alto Trombone, Arthur Pryor, Baritone Horn, Bass Trombone, Essential Concepts in Brass Playing, Euphonium, Music, Pedagogy, Performing, Practicing, Teaching Low Brass, Tenor Trombone, Trombone, Tuba

Essential Concepts in Brass Playing 5: Everything You Play is a “Song”

A couple of years ago I wrote a post with a title very similar to this one, and although I don’t intend to repeat the content of that piece here, the concept is important enough that I wanted to include … Continue reading

Posted in Alto Trombone, Baritone Horn, Bass Trombone, Euphonium, Improvisation, Music, Musical Interpretation, Performing, Playing Fundamentals, Practicing, Teaching Low Brass, Tenor Trombone, Trombone, Tuba

Essential Concepts in Brass Playing 4: Airflow Is a Means, Not the End

Last week I began the third installment in this series with the following sentence: “Generous, efficient airflow is vital to playing any brass instrument, but it is important that players understand just what the role of the air is, and … Continue reading

Posted in Alto Trombone, Arnold Jacobs, Baritone Horn, Bass Trombone, Breathing, Contrabass Trombone, Daily Routine, David Vining, Embouchure, Emory Remington, Essential Concepts in Brass Playing, Euphonium, Music, Pedagogy, Performing, Playing Fundamentals, Teaching Low Brass, Tenor Trombone, The Breathing Book, The Breathing Gym, Trombone, Tuba

Essential Concepts in Brass Playing 3: Vibration Creates Tone

Generous, efficient airflow is vital to playing any brass instrument, but it is important that players understand just what the role of the air is, and what it is not. When working with new students one of my first questions … Continue reading

Posted in Alto Trombone, Baritone Horn, Bass Trombone, Breathing, Contrabass Trombone, Daily Routine, Embouchure, Essential Concepts in Brass Playing, Euphonium, Music, Pedagogy, Performing, Physical Fitness, Playing Fundamentals, Practicing, Teaching Low Brass, Tenor Trombone, The Breathing Gym, Trombone, Tuba

Essential Concepts in Brass Playing 2: Daily Routines Work

I cannot think of a time in my life as a brass player that I did not believe in the importance of daily, systematic practice of playing fundamentals. The public school band program of which I was a part growing … Continue reading

Posted in Alto Trombone, Baritone Horn, Bass Trombone, Conferences, Daily Routine, Emory Remington, Essential Concepts in Brass Playing, Euphonium, International Trombone Festival, International Tuba-Euphonium Conference, Music, Pedagogy, Playing Fundamentals, Practicing, Teaching Low Brass, Tenor Trombone, Trombone, Trombone Ensembles, Tuba, Tuba-Euphonium Ensembles, University of Mississippi

Revisiting the Word “Euphonium”

In a tongue-in-cheek article posted here a few years ago I confessed to a certain dissatisfaction with the word “euphonium.” While that is the correct term for the large, conical-bored, valved brass instrument with a fundamental pitch of B-flat1, I … Continue reading

Posted in Baritone Horn, Euphonium, Mouthpieces, Music, Music Education, Musical Instrument Manufacturers, Nomenclature, Pedagogy, Teaching Low Brass