Category Archives: Douglas Yeo

Influential Recordings: Cornerstone

Posted on December 31, 2020 by Micah Everett

Through a mix of unusual circumstances, some related to the ongoing COVID-19 pandemic, I found myself able to attend Christmas Eve services at my own church, instead of visiting family several hours away. I volunteered to perform a prelude for … Continue reading →

Posted in Bass Trombone, Bill Pearce, Christian Formation, Christian Worldview, Church, College Hill Presbyterian Church, COVID-19, Douglas Yeo, Influential Recordings, Music, Music and Theology, Music and Worship, Practical Christianity, Recordings, Sheet Music, Tenor Trombone, Trombone, Worship | Comments Off on Influential Recordings: Cornerstone

Complete Performance Recordings: Doubling Recital at the University of South Carolina

Posted on February 24, 2019 by Micah Everett

This past Tuesday a long-planned collaboration with Dr. Michael Wilkinson, trombone professor at the University of South Carolina, finally came into existence—at least, outside of our imaginations. Dr. Wilkinson and I were assigned as roommates while attending the Alessi Seminar … Continue reading →

Posted in Alessi Seminar, Alto Trombone, Bass Trombone, Benedetto Marcello, Books, Cimbasso, Contrabass Trombone, Dmitri Shostakovich, Doubling, Douglas Yeo, Euphonium, Fernando Deddos, Georg Philipp Telemann, Higher Education, Leonard Bernstein, Low Brass Resources, Micah Everett, Michael Davis, Michael Wilkinson, Music, Performance Videos, Performances, Scott Slutter, Steven Verhelst, Teaching Low Brass, Tenor Trombone, The Low Brass Player's Guide to Doubling, Trombone, Tuba | Comments Off on Complete Performance Recordings: Doubling Recital at the University of South Carolina