Category Archives: Embouchure

Three Areas of Tension that Brass Players Miss

Brass instruments are amazingly simple devices. In their simplest form, these “lip-reed aerophones” as Anthony Baines called them are just tubes into one end of which players vibrate their lips to generate musical tones. The overtone series native to a … Continue reading

Posted in Alto Trombone, Arnold Jacobs, Bass Trombone, Breathing, Embouchure, Emory Remington, Ergonomics, Euphonium, Music, Pedagogy, Performing, Playing Fundamentals, Practicing, Teaching Low Brass, Tenor Trombone, Trombone, Tuba

Be a “Do-Nothing” Brass Player

I’m a few days behind where I wanted to be in writing this, but I have been thinking about this topic in earnest since the preparations for my recital a couple of weeks ago. As is usually the case with … Continue reading

Posted in Alessi Seminar, Bass Trombone, Daily Routine, Embouchure, Euphonium, Music, Pedagogy, Performance Anxiety, Performing, Playing Fundamentals, Teaching Low Brass, Tenor Trombone, Trombone, Tuba

Want a Full Sound? Vibrate!

Low brass players necessarily have a great interest in learning to efficiently and effectively move air through their instruments. Tubas and bass and contrabass trombones require that their players generate tremendous airflow in order to produce and sustain a tone, … Continue reading

Posted in Alto Trombone, Bass Trombone, Breathing, Daily Routine, Embouchure, Euphonium, Mouthpiece Buzzing, Mouthpieces, Pedagogy, Playing Fundamentals, Practicing, Teaching Low Brass, Tenor Trombone, Trombone, Tuba