Category Archives: Emory Remington

Rediscovering Leisure

The first week or two after the end of the spring semester might be my favorite time of each academic year. While it is true that I only teach full time about eight months of the year, those eight months … Continue reading

Posted in Beauty, Christian Worldview, Doctrine of Vocation, Education, Emory Remington, Higher Education, History, Playing Fundamentals, Practical Christianity, Practicing, Society, Teaching Low Brass, Truth, Work and Leisure

Three Areas of Tension that Brass Players Miss

Brass instruments are amazingly simple devices. In their simplest form, these “lip-reed aerophones” as Anthony Baines called them are just tubes into one end of which players vibrate their lips to generate musical tones. The overtone series native to a … Continue reading

Posted in Alto Trombone, Arnold Jacobs, Bass Trombone, Breathing, Embouchure, Emory Remington, Ergonomics, Euphonium, Music, Pedagogy, Performing, Playing Fundamentals, Practicing, Teaching Low Brass, Tenor Trombone, Trombone, Tuba

Rediscovering and Reapplying the “Conversational Breath”

In last week’s post as well as several others I have freely discussed areas in which I have abandoned previous approaches to playing my instruments and have embraced ideas found in newer publications. While readers might conclude that I have … Continue reading

Posted in Alto Trombone, Bass Trombone, Breathing, Emory Remington, Euphonium, Teaching Low Brass, Tenor Trombone, Trombone, Tuba