Category Archives: Emory Remington

Rediscovering Leisure

The first week or two after the end of the spring semester might be my favorite time of each academic year. While it is true that I only teach full time about eight months of the year, those eight months … Continue reading

Posted in Beauty, Christian Worldview, Doctrine of Vocation, Education, Emory Remington, Higher Education, History, Playing Fundamentals, Practical Christianity, Practicing, Society, Teaching Low Brass, Truth, Work and Leisure | Comments Off on Rediscovering Leisure

Three Areas of Tension that Brass Players Miss

Brass instruments are amazingly simple devices. In their simplest form, these “lip-reed aerophones” as Anthony Baines called them are just tubes into one end of which players vibrate their lips to generate musical tones. The overtone series native to a … Continue reading

Posted in Alto Trombone, Arnold Jacobs, Bass Trombone, Breathing, Embouchure, Emory Remington, Ergonomics, Euphonium, Music, Pedagogy, Performing, Playing Fundamentals, Practicing, Teaching Low Brass, Tenor Trombone, Trombone, Tuba | Comments Off on Three Areas of Tension that Brass Players Miss

Rediscovering and Reapplying the “Conversational Breath”

In last week’s post as well as several others I have freely discussed areas in which I have abandoned previous approaches to playing my instruments and have embraced ideas found in newer publications. While readers might conclude that I have … Continue reading

Posted in Alto Trombone, Bass Trombone, Breathing, Emory Remington, Euphonium, Teaching Low Brass, Tenor Trombone, Trombone, Tuba | Comments Off on Rediscovering and Reapplying the “Conversational Breath”