Category Archives: Musical Interpretation

The Importance of Story, Part 1: Developing Musical Interpretation

I joined a brass quintet during my first semester of college, and the professor coaching the group assigned for us to play the Quintet No. 3 by Russian composer Victor Ewald (1860-1935). I have become very familiar with and fond … Continue reading

Posted in Arnold Jacobs, Gustav Mahler, Marco Bordogni, Music, Music Education, Musical Interpretation, Pedagogy, Performing, Teaching Low Brass, Victor Ewald | Comments Off on The Importance of Story, Part 1: Developing Musical Interpretation

Preparing for Sight Reading in Auditions

A few weeks ago, I served as an adjudicator for the second-round trombone auditions for the Mississippi Lions All-State Band. I do this most years, yet in 2020 this provided a particularly enjoyable bit of near-normalcy for me. While we … Continue reading

Posted in Alto Trombone, Auditions, Baritone Horn, Bass Trombone, Embouchure, Euphonium, Mississippi Lions All-State Band, Music, Music Education, Musical Interpretation, Playing Fundamentals, Practicing, Sight Reading, Teaching Low Brass, Tenor Trombone, Trombone, Tuba | Comments Off on Preparing for Sight Reading in Auditions

Essential Concepts in Brass Playing 5: Everything You Play is a “Song”

A couple of years ago I wrote a post with a title very similar to this one, and although I don’t intend to repeat the content of that piece here, the concept is important enough that I wanted to include … Continue reading

Posted in Alto Trombone, Baritone Horn, Bass Trombone, Euphonium, Improvisation, Music, Musical Interpretation, Performing, Playing Fundamentals, Practicing, Teaching Low Brass, Tenor Trombone, Trombone, Tuba | Comments Off on Essential Concepts in Brass Playing 5: Everything You Play is a “Song”