Category Archives: The Breathing Book

Essential Concepts in Brass Playing 4: Airflow Is a Means, Not the End

Last week I began the third installment in this series with the following sentence: “Generous, efficient airflow is vital to playing any brass instrument, but it is important that players understand just what the role of the air is, and … Continue reading

Posted in Alto Trombone, Arnold Jacobs, Baritone Horn, Bass Trombone, Breathing, Contrabass Trombone, Daily Routine, David Vining, Embouchure, Emory Remington, Essential Concepts in Brass Playing, Euphonium, Music, Pedagogy, Performing, Playing Fundamentals, Teaching Low Brass, Tenor Trombone, The Breathing Book, The Breathing Gym, Trombone, Tuba

Missed Partials are “Real” Missed Notes

Brass players have a peculiar challenge that many other instrumentalists do not share in that in that brass instruments have multiple notes available for each fingering or slide position. This means that the player must not only depress the correct … Continue reading

Posted in Alto Trombone, Bass Trombone, Breathing, David Vining, Ergonomics, Euphonium, Mouthpieces, Music, Performing, Playing Fundamentals, Practicing, Teaching Low Brass, Tenor Trombone, The Breathing Book, Trombone, Tuba