Category Archives: The Breathing Gym

Essential Concepts in Brass Playing 4: Airflow Is a Means, Not the End

Last week I began the third installment in this series with the following sentence: “Generous, efficient airflow is vital to playing any brass instrument, but it is important that players understand just what the role of the air is, and … Continue reading

Posted in Alto Trombone, Arnold Jacobs, Baritone Horn, Bass Trombone, Breathing, Contrabass Trombone, Daily Routine, David Vining, Embouchure, Emory Remington, Essential Concepts in Brass Playing, Euphonium, Music, Pedagogy, Performing, Playing Fundamentals, Teaching Low Brass, Tenor Trombone, The Breathing Book, The Breathing Gym, Trombone, Tuba

Essential Concepts in Brass Playing 3: Vibration Creates Tone

Generous, efficient airflow is vital to playing any brass instrument, but it is important that players understand just what the role of the air is, and what it is not. When working with new students one of my first questions … Continue reading

Posted in Alto Trombone, Baritone Horn, Bass Trombone, Breathing, Contrabass Trombone, Daily Routine, Embouchure, Essential Concepts in Brass Playing, Euphonium, Music, Pedagogy, Performing, Physical Fitness, Playing Fundamentals, Practicing, Teaching Low Brass, Tenor Trombone, The Breathing Gym, Trombone, Tuba