Author Archives: Micah Everett

About Micah Everett

Micah Everett is Associate Professor of Music (Trombone/Low Brass) at the University of Mississippi, Principal Trombonist of the North Mississippi Symphony Orchestra, Tubist/Bass Trombonist of the Mississippi Brass Quintet, Bass Trombonist of the Great River Trombone Quartet, Assistant Editor (Audio/Video Reviews) for the International Trombone Association Journal, and an S.E. Shires trombone artist. He is the author of THE LOW BRASS PLAYER'S GUIDE TO DOUBLING, published by Mountain Peak Music, and released his first solo recording, STEPPING STONES FOR BASS TROMBONE, VOL. 1, on the Potenza Music label in 2015. In addition to his professional work, he maintains an avid interest in the study of the Bible and of Reformed theology. He holds doctoral and master's degrees in music from the University of North Carolina at Greensboro, a bachelor's degree in music education from Delta State University, and a certificate in systematic theology from Puritan Reformed Theological Seminary. The ideas and opinions expressed here are not necessarily shared by the employers and organizations with which the author is associated.

There Are Technical Challenges…and Then There Are Processing Challenges

My son, who will turn eleven in a few days, has been playing violin for four years. While his sight reading ability remains well behind his overall technique, over the past year or so he has begun working through what … Continue reading

Posted in Alto Trombone, Baritone Horn, Bass Trombone, Euphonium, Music, Music Education, Orchestration, Pedagogy, Performance Anxiety, Teachers, Teaching Low Brass, Trombone, Tuba

The Daily Routine: Our “This is a Football” Speech (Repost)

I was planning to write a new post this weekend, but in light of conversations with several students this past week, this post is worth sharing again. While it can be tempting to neglect fundamentals in favor of working on … Continue reading

Posted in Alto Trombone, Bass Trombone, Daily Routine, Euphonium, Music, Pedagogy, Playing Fundamentals, Practicing, Teaching Low Brass, Tenor Trombone, Trombone, Tuba, Vince Lombardi

Influential Recordings: Absolute Trombone

In my last post I discussed how listening to a borrowed copy of Romantic Trombone Concertos began to open my eyes to a bigger world of repertoire and possibilities for the trombone. A few things happened not long after that … Continue reading

Posted in Bass Trombone, Improvisation, Influential Recordings, International Trombone Association, Michael Davis, Music, Professional Organizations, Recordings, Repertoire, Tenor Trombone, Trombone, Trombone Ensembles

Influential Recordings: Romantic Trombone Concertos

I still remember very clearly the first time I heard a solo recording of a professional trombonist. I was a junior in high school, and a friend from the all-state band that went to another school in my county brought … Continue reading

Posted in Alexandre Guilmant, Christian Lindberg, Digital Revolution, Ferdinand David, Gunnar de Frumerie, Influential Recordings, Launy Grøndahl, Music, Pedagogy, Recording Technology, Recordings, Teaching Low Brass, Technology, Tenor Trombone, Trombone

Fifteen Steps to Playing a Better All-State Audition (Repost)

Today I am reposting, for the ninth year, one of the more popular articles on this blog. With high school students preparing for auditions for all-state groups and similar ensembles around this time of year, posting this article every fall … Continue reading

Posted in Auditions, Bass Trombone, Daily Routine, Education, Euphonium, Music, Music Education, Practicing, Scales and Arpeggios, Teaching Low Brass, Tenor Trombone, Trombone, Tuba